Leigh Monson

The fact that 'Sylvie's Love' sets the heart racing should be recommendation enough.

'Wander Darkly' may have attempted to reinvent the wheel, but it didn’t have to succeed to roll along just fine.

A great cast delivers the feel-good holiday movie of the year.

Post-WWII melodrama is elevated by Guy Pearce doing his own spin on… Jack Sparrow?

'The Climb' is driven by compelling leads who are richly developed and comically engaging.

'Let Him Go' is such a compellingly performed and written story that it’s difficult not to be enthralled.

There’s so much about it that feels commonplace and ordinary about 'Mortal' that it fails to live up to its extraordinary director.

Despite being a solid season of TV, Away’s core suffers from a crisis of identity.

'The Owners' isn’t trying to reinvent the wheel on home invasion thrillers, but there are hidden depths to its simple set-up.

'Earth to Ned' is way more fun than it has any right to be.

'Summerland' is an inoffensive and nominally fun way to spend an hour and change.

There's a decent movie buried beneath this wall of pretention.

This romantic hook is sufficiently sharp, even if Lili Reinhart needs to carry 'Chemical Hearts' on her back to sharpen it.

A lack of inventiveness in its execution that leaves 'The Pale Door' wanting.

This mystery thriller manages to be thrilling until its mystery causes the tension to collapse.

It’s certainly interesting to see where 'She Dies Tomorrow' is going from scene to scene, but the film loses its luster and retroactively feels underdeveloped.

Charming performances aren't quite enough to save this movie from a scattershot screenplay.