Matt Donato

'Moonfall,' starring Halle Berry and Patrick Wilson, is the latest disaster movie from 'Independence Day' director Roland Emmerich.

Guillermo del Toro's 'Nightmare Alley' adapts William Lindsay Gresham's 1946 novel as a dreary noir starring Bradley Cooper.

'Scream' returns to Woodsboro for yet another franchise shakeup that is loaded with horror commentary.

'Silent Night' is an unholy union of holiday cheer and apocalyptic expiration that savors humankind's deepest, inescapable fears.

Chucky raises an army, Jake fights for Hackensack, and there are still a few surprises left before the first season wraps.

Chucky finally convinces someone else to do his killing, and he's calling in reinforcements.

Andy and Kyle are back, Tiff and Nica-Chucky are homeowners, and Jake is on the hunt for Tommy-Chucky ... got it?

Jake, Devon and Lexy are on the case to track down Chucky before he kills anyone else in their Hackensack community.

In “Just Let Go,” Jake, Lexy and the other residents of Hackensack find out what happens when you make Chucky angry.

William Eubank’s 'Paranormal Activity: Next Of Kin' is a franchise reboot that's lacking any recognizable horrors.

Rachel Talalay’s 'A Babysitter’s Guide To Monster Hunting' introduces horror themes without petrifying younger audiences.

Shudder's 'Horror Noire' is a collection of genre shorts from Black creators that has more misses than hits.

'Halloween Kills' honors its title with every slit throat, spewing artery and punctured armpit.

The third episode of Don Mancini’s 'Chucky' series is a see-saw of highs and lows.

'Army Of Thieves' is an odd franchise continuation of 'Army of the Dead' that ditches its undead stench for the better.

'Night Teeth' is deceptively dull despite its music video flashiness as vampires take on Los Angeles nightlife.

In "Give Me Something Good to Eat," Chucky and Jake's bond grows stronger as residents of Hackensack push a child to his brink.

Claudia Llosa’s ‘Fever Dream’ connects two mothers who both share the common bond of protecting their children at any cost.

Banjong Pisanthanakun’s 'The Medium' takes some of the wildest horror swings you’ll see all year, continuing onward for a supremely devastating length in response to the quieter opening groundwork.

'Chucky' begins with “Death By Misadventure,” both a reintroduction and reinvigoration that continues the killer doll's rampage in Hackensack, N.J.

'Antlers' exists in the nebulous area between vulnerable arthouse horror and primal folklore confrontation.

'Madres' succeeds in spotlighting tragedy under the guise of American ideals gone awry but fails its marriage of culture and horror.

'Slumber Party Massacre' is a remake that gets just about everything right, powered by a cast of final girls who have a few things to say about horror’s canonical treatment of women decades prior.

Axelle Carolyn's 'The Manor' tackles aging as a jumping-off point for eldercare horrors, where dementia is the least of worries.