Little Men | Ira Sachs' insightful drama of adolescent friendship and adult frailty
Director/co-writer Ira Sachs, maker of 2014’s tender, bittersweet and shrewdly perceptive Love Is Strange, once again brings his insight and compassion to bear on an absorbing drama set in present-day New York, Little Men.
Two 13-year-old boys, shy artistic Jake (Theo Taplitz) and outgoing wannabe actor Tony (Michael Barbieri), become friends after Jake’s struggling actor dad Brian (Greg Kinnear) inherits his late father’s Brooklyn home, which is directly above the dress shop run by Tony’s Chilean immigrant single mother Leonor (Paulina García).
Sachs indicates the boys’ easy rapport with joyous travelling shots showing them breezing through the Brooklyn streets on scooter and roller-blades. By contrast, the relationship between the boys’ parents is full of awkward friction.
Brian is now Leonor’s landlord and his reluctant bid to raise her rent – under pressure from his pushy sister Audrey (Talia Balsam) – is met with stonewalling and emotional manipulation from his tenant. In protest at the feud, Jake and Tony stop talking to their respective parents.
Yet no one here is the villain. Sachs, co-writing again with his Love Is Strange collaborator, Mauricio Zacharias, gives all the characters their share of virtues and flaws. No one is entirely in the right or entirely in the wrong – and it is Sachs’ even-handed empathy that makes Little Men all the more rewarding.
Certificate PG. Runtime 85 mins. Director Ira Sachs
https://www.youtube.com/watch?v=Dk9-5M-PerQ
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A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.