EastEnders bosses to cut baby swap plot short
EastEnders bosses are to bring the controversial baby death plot - which has prompted almost 6,000 complaints from viewers - to an early end. The storyline, in which Ronnie Branning loses her baby son to cot death on New Year's Eve before swapping him with Kat Moon's live newborn, has proved to be one of the most complained-about stories in the show's history. But now the plot will be resolved in "months", according to the BBC. It had originally been planned to run for considerably longer. The high-profile storyline is second only to the sudden death of Ronnie's daughter Danielle in a car crash in April 2009, which drew more than 7,000 objections from viewers. Samantha Womack is to leave the show later this year, although her agent insisted yesterday that the decision was nothing to do with the storyline. He said she was bowing out of the soap as her contract reached a "natural end". He said: "There's no truth whatsoever in any suggestion that Sam is 'quitting' EastEnders over the current storyline. "Sam's contract comes to a natural end later this year and she will be taking a break from the show." The BBC has responded to the floods of complaints, insisting the BBC1 show did not intend to "cause distress or upset". Show bosses added that viewers would "see the situation resolve itself over the coming months".
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.