Can Connie save Elliot?
Connie Beauchamp has a fight on her hands this week, when she discovers that new Director of Surgery Henrik Hanssen has a surprising name at the top of redundancy list – Elliot Hope. Can Connie save her closest colleague Elliot from being a victim of Hanssen’s brutal cost-cutting measures? Knowing that Hanssen means business, Connie battles to force an unwitting Elliot into bucking up his act. But circumstances conspire against Elliot when he makes a decision to delay informing a patient their daughter has died, until after she has undergone a tricky operation. Though his decision is, in Elliot’s opinion, for the best in the long-term, when Connie discovers his actions, she’s angry with him for jeopardising his job, if Hanssen were to find out the truth. As a divide widens between Connie and Elliot during their day’s work, Henrik continues to stalk the corridors of Holby and grows further unimpressed by Elliot after he witnesses a row between the pair following an operation. Finally, when a despondent Connie is cornered by Henrik, he asks her to confirm whether Elliot withheld a patient’s death from her mother. Will Henrik give Elliot his marching orders? Also this week: Jac proves she's still got a lot to learn when she makes a botched effort at leading a consultant's meeting; Frieda is caught sleeping on the job.
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.