Can Steph win Rachel over?

Can Steph win Rachel over?
Can Steph win Rachel over? (Image credit: Shed Productions)

French teacher Steph Haydock did her colleague Kim Campbell a huge favour when she took her adopted baby, Grace, away from the prying eyes of Home Office officials. But now Steph makes her return to Waterloo Road and faces a suspicious head teacher Rachel Mason. The two women loathe each other and Rachel blames Steph for a pupil's apparently disruptive behaviour. Steph's return to work goes from bad to worse when, later that day, she finds the same pupil in a life-threatening situation. She has to think fast and make an important decision but will anything she does make Rachel have any more respect for her? Elsewhere, Chlo Grainger's decision to put her baby up for adoption so she can still go to university does not sit well with boyfriend Donte Charles, who wants to keep their baby. As Head of Pastoral Care, Kim tries to advise the young couple, but Chlo's pretty sure of what she wants. She tries to make Donte feel better by assuring him that they will have a baby one day, just not now. Will that work? And dinner lady Rose Kelly passes her mock A-level but Tom Clarkson delivers the news with a distinct lack of sensitivity... Will recovering alcoholic Rose turn to the bottle after she hears what Tom has to say?

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Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.