Charlie kidnaps Grant!
Ruby is torn between Charlie and Grant. She's starting to think they just have different recollections and neither is right. Xavier reaches out to her but Ruby is too confused. She sees Grant's wife Tracey, who tells her Grant is a good man and she doesn't believe Charlie. Grant visits Ruby again and only confuses her even more. When Xavier again tries to be there for her, she pushes him away. Charlie gets a lead on two women she believes were paid off by Grant after being assaulted. One walks away as soon as she learns why Charlie is there, but Charlie convinces the other - Brooke - to stay by telling her about her ordeal with Grant. Brooke confesses that Grant raped her as well, and paid her to keep quiet. But when faced with the prospect of going on record about what happened, she refuses. Upon returning to the Bay, Charlie finds Grant, telling him she wants to put everything behind them, for Ruby's sake. Grant agrees, but Charlie kidnaps him! Hugo has given up on the sunken schooner idea. Martha suggests Hugo try to reason with John Palmer, but Palmer refuses to listen and the pair get into a heated argument. Click here to watch whatsontv.co.uk's new weekly soaps video preview, the Soap Scoop
Get the What to Watch Newsletter
The latest updates, reviews and unmissable series to watch and more!
Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.