Harold takes a turn for the worse
Simon tries to make amends for upsetting Donna and tells Elle that Donna was forced out of their house. Elle brings Donna back to the Robinson home but Donna's happiness is shortlived when Ringo blames her for a humiliating prank that left him stranded without any clothes, when it was Simon all along. Simon knew Donna's phone number is the only number Ringo knows off by heart so he stole his clothes and deleted all his contacts while he was washing at a local outdoor shower. When Ringo has a go at Donna, Harold comes to her rescue. But Harold's health takes a turn for the worse and he ends up fighting for his life in hospital. Elle and Lucas tell Susan they believe Zeke is alive. Susan is shaken but decides to get definite answers before telling Karl and Rachel. Susan and the police track down Phil Andrews, the man Elle and Lucas believe has Zeke. But she comes to a dead-end and finds herself grieving the loss of Zeke all over again. Simon learns Paul has set up a hot date with his mother and attempts to stop Paul from going by super-gluing his front door shut, pulling his second prank of the day and infuriating Paul. Click here to watch whatsontv.co.uk's weekly soaps video preview, Soap Scoop Get all the latest soap gossip delivered straight to your door. Subscribe to Soaplife magazine today
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.