Max confesses all to Julie
DS Max Carter watches as Julie Nowak cradles bleeding uncle, Cezar Sobieskinski, and she's in a state of shock when it's revealed that Cezar has died. As Julie tells Max she warned stepson Pawel Jankowski about the police sting, fearing he was involved, Marek Jankowski, the target of the sting and Pawel's uncle, is brought in for questioning and implicates Pawel in Cezar's murder. As DS Samantha Nixon decides to release Marek, Max finds Pawel and tells him that Cezar is dead and Marek has put him in the frame. An armed Pawel considers giving himself up but flees when he hears police sirens. Back at Sun Hill, Max takes offence when DS Stuart Turner says he thinks he's letting his guilt about killing Pawel's father, Thomas, cloud his judgement. A furious Max finds Julie waiting in the station for him. As he pushes her for more information about Pawel and Marek, Julie starts to talk about Thomas. But as Max explains the circumstances surrounding Thomas's death, Julie is horrified when Max confesses that he fired the fatal shot. Determined that Pawel won't end up like Thomas, Max makes it his sole mission to find the teenager. Without telling anyone where he's going, Max heads off to a workshop when he finds an agitated Pawel. But as Max gently approaches him, Pawel catches sight of him and pulls out his gun...
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.