Oliver tells Rebecca to leave town
Rebecca is thrilled when her son Oliver and his family arrive at Charlie's and Oliver thanks Michael for supporting his mum. Paul, however, isn't as pleased to see Oliver, who warns him to stop harassing his family. Rebecca is shocked when Oliver tells her he isn't there to fight Paul, he's there to take her away and that she needs to leave Erinsborough for good. With Rebecca thinking about leaving, Michael can tell that something is going on and asks her what it is. She knows she has to be honest and tells him her family are all leaving, including Declan and India and that she wants Michael to go with her. Knowing he can't leave Tash and desperate to keep Rebecca in Ramsay Street, Michael asks her to marry him. She accepts and tells Oliver she's staying, but he's concerned. Callum is wondering why his aunt Robyn hasn't replied to his letter and Sonya looks on feeling guilty. Toadie offers to call her for him but he turns the offer down, saying he'll wait for her to reply. Later, Sonya looks confused when Callum receives a letter from Robyn and is worried when Jade admits she wrote the letter to stop Callum waiting. Click here to watch whatsontv.co.uk's weekly soaps video preview, the Soap Scoop
Get the What to Watch Newsletter
The latest updates, reviews and unmissable series to watch and more!
Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.