Sasha and Calvin make up
Sasha discovers another girl has been attacked, fearing it's her attacker striking again. Calvin eventually gets her to confess and tells her she must go to the police. Feeling a weight's been lifted, Sasha and Calvin manage to enjoy an evening together. Malachy's fed up with all the McQueens praising Calvin. In a bid to win favour, he concocts a plan to get some quick cash for the family, making the most of Mercedes' 'assets'. Returning with the cash needed for a solicitor, the pair are on a high - that is until they hear Calvin has already sorted it. Carmel's delighted with the effort Calvin's making. With the McQueens in crisis over the demands to move out of their house, he promises to sort a solicitor. As Carmel arrives at the station for work, she spots Calvin and becomes suspicious when he cancels her call. Later, she's left reeling when he lies about his whereabouts. Also; Jake's still ignoring Loretta and Frankie's calls, settling into life with Caroline and Johnny. Being with Caroline triggers some disturbing flashbacks for Jake. A flash of guilt over his family prompts him to call home, but he can't find his phone anywhere. Jake's cut off from the outside world... exactly what Caroline wants. Click here to watch whatsontv.co.uk's weekly soaps video preview, the Soap Scoop
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.