The Dragon breathes fires in the series finale!
Enter the Great Dragon as the second series of this magical, mystical family drama reaches its exciting conclusion. The mighty beast is free from his underground cave, where King Uther has held him since the end of the Great Purge. At the beginning of the series, Merlin was forced to promise the Dragon that he would eventually release him as long he continued to help Merlin battle Camelot’s enemies. But, as Merlin saw in the Crystal of Niahtid (in episode 11), the Dragon attacks Camelot. Uther and Arthur have fought and won against many enemies, but the Dragon is relentless and merciless in its swooping attacks on the kingdom. The fairytale castle has been targeted again and again and is looking more like a ruin. Arthur and his faithful knights are putting up resistance but they’re fighting a losing battle. What they need is a Dragonlord, the only person who can kill a dragon. But Uther had them all killed years ago... At least, he thinks he did. Gaius knows there is one remaining Dragonlord, called Balinor (John Lynch – The Passion). It's not something Gaius would normally admit to, but even Uther sees that he has to put his prejudices aside. Now all Arthur and Merlin have to do is find Balinor and convince him to help them save his enemy, Uther, and Camelot.
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.