Will Sally find out about Patrick's affair?
Sally returns from her course enthusiastic about her potential new job and Julia is supportive. Patrick and Julia are horrified when Chloe mentions the car crash to Sally but they are able to make excuses. Later, Julia and Sally look at houses on the internet but Patrick insists he doesn't want to move. As Sally and Patrick argue, Julia tells them they should look at some houses with Jimmi and Cherry and their house-hunter tomorrow. At dinner, Chloe almost drops another clanger about Sian, but Patrick wriggles out of it and agrees to meet the house-hunter. Meanwhile, Heston is working on his best barrister impression when Karen mentions Jack's involvement in the court re-enactment. Heston is alarmed to learn that his counsel loses but Marina insists that was the original trial - times have moved on and an online jury will vote on the verdict. At lunchtime, they meet Jack at the courtroom where the verbal sparring starts. Heston believes social morals have changed but Jack believes right and wrong haven't. Concerned they might quit, Marina takes them both to dinner, bringing a student to distract Jack while she charms Heston herself. Also, Imogen agrees that old friend Perry can stay at the Hollins's on his release from police custody but can she avoid her dad?
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.