Divines | Oulaya Amamra's banlieue teen won’t let the odds stacked against her hold her back

Divines

Brimming with nerve and defiant bravado, the banlieue-dwelling teenage heroine of debut director Houda Benyamina’s Divines is a sister under the skin to the similarly rebellious protagonist of Céline Sciamma’s 2014 LFF hit Girlhood.

Like her predecessor, Divines’ Dounia (Oulaya Amamra) won’t let the odds stacked against her hold her back. Living in Roma camp in a crime-ridden Paris suburb she is determined to better her hardscrabble lot by fair means or foul.

Restless and reckless, she graduates from shoplifting in a burka from a supermarket with her best friend Maimouna (Déborah Lukumuena) to far more perilous errands for swaggering local drug dealer Rebecca (Jisca Kalvanda). ‘Money, money, money’ is her goal, that and a halting romance with aspiring dancer Djigui (Kévin Mischel). But is she prepared to pay the price of success?

Divines isn’t as daring as its heroine – ultimately, it’s as much a morality tale as a 1930s Warner Brothers gangster film – but the energy and empathy on display here make Benyamina’s film entirely deserving of the 10-minute standing ovation it won at Cannes earlier this year.

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Certificate 15. Runtime 107 mins. Director Houda Benyamina

Divines is available on Netflix from Friday 18 November.

https://www.youtube.com/watch?v=VT4YtWdK01M

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Jason Best

A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.