In Dubious Battle | James Franco tackles literary giant John Steinbeck's Depression-era tale
James Franco has already directed cinematic versions of books by American literary giants William Faulkner and Cormac McCarthy. Now he turns to John Steinbeck with In Dubious Battle, an earnest, only partially successful adaptation of the author’s 1936 novel about a fruit pickers’ strike in Depression-era California.
Franco also takes the leading role of the coldly calculating communist agitator behind the walkout, Mac, who puts his political cause ahead of the people he is purportedly aiding and is not beyond giving a ‘serendipitous tug’ to events to get things going.
It turns out that Franco the director is fine on the nitty-gritty details of the strike, as Mac and his callow young protégé Jim (Nat Wolff) stir the migrant workers up and cannily nudge Vincent D’Onofrio’s guileless family man London into becoming their figurehead.
When it comes to charting the moral and emotional journeys the characters take, however, the movie is all too clumsy. Yet the film is never less than watchable, thanks in part to vivid turns from the likes of Robert Duvall (the unbending landowner determined to crush the strike), Sam Shepard (the crusty but grudgingly sympathetic farmer who lets the strikers camp on his land), Ed Harris (a volatile veteran radical, befuddled from too many police beatings) and Bryan Cranston (the hardnosed local sheriff). Elsewhere in the star-packed cast, former Disney starlet Selena Gomez and The Hunger Games’ Josh Hutcherson also take significant supporting roles.
Certificate 15. Runtime 110 mins. Director James Franco
In Dubious Battle debuts on Sky Cinema Premiere on 15 January. Available on Blu-ray, DVD & Digital from Universal Pictures.
https://www.youtube.com/watch?v=__93O5CGSn4
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A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.