The Invention of Lying - Ricky Gervais makes up God in satirical romcom
Ricky Gervais proved an unexpectedly successful romantic lead in Ghost Town but The Invention of Lying, his second starring vehicle in Hollywood and his first as co-director, is something of a disappointment.
The film’s satirical premise is promising. It’s set in a world where everyone tells the truth, which means that neither storytelling nor religion exist. Gervais plays the man who invents both. His middle-aged loser, Mark Bellison, has just been fired from his job and rejected by the girl of his dreams (played by good sport Jennifer Garner), but he turns his life around when he discovers the ability to lie.
His fibs win him wealth and status, but it all gets out of hand after he reassures his dying mother with the made-up promise of an afterlife. Word of Mark’s revelation gets out and soon the whole world is hanging on his pronouncements about the ‘Man in the Sky’, turning Mark into a world-famous guru.
The Invention of Lying has some good gags, including the scene where Mark reveals to the masses his version of the Ten Commandments, written on the lids of two pizza cartons. But the flat direction becomes wearisome and the story runs out of steam before it even reaches a romcom ending that is more sentimental than subversive.
It’ll be interesting, though, to see how Gervais fares when he returns to home territory for his forthcoming movie Cemetery Junction, which is set in 1970s Reading and has been co-written and directed with his Office/Extras partner Stephen Merchant. It comes out in April.
Released 1st February.
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A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.