Searching for Sugar Man - He should have been the next Bob Dylan. What happened?
Back at the turn of the 1960s/70s, singer-songwriter Rodriguez was supposed to have been the next Bob Dylan. Yet after making a couple of critically acclaimed but commercially unsuccessful albums, he completely vanished from the rock-music map. Fascinating music documentary Searching for Sugar Man tells the remarkable story of what happened next.
Unbeknown to anyone in the States, including renowned music producers Dennis Coffey and Mike Theodore, the men who discovered the Mexican-American singer in a smoky Detroit bar in 1968, Rodriguez’ music had struck a chord with liberal whites in apartheid-era South Africa, his outsider stance chiming with their own anti-establishment sentiments.
There he was hugely popular, his soulful folk-rock gems Cold Fact and Coming from Reality outselling Elvis. But no one in South Africa knew anything about their idol. Bizarre rumours about his fate circulated. He had killed himself live on stage - setting fire to himself in one version, shooting himself in another.
Decades later, in the mid-1990s, two fans, record shop owner Stephen ‘Sugar’ Segerman and journalist Craig Bartholomew, made it their mission to discover the truth.
It’s probably best not to know how things turned out before you watch Swedish documentary maker Malik Bendjelloul’s artfully constructed film. Suffice to say that the story that unfolds is stirring, surprising and deeply touching.
On release in key cities from Friday 27th July.
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A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.